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He'll touch the hi-hats for that added effect, but mostly avoids the ride cymbal as the main method of time keeping.Please note that myfreeblack only embeds content from sites like xvideos and pornhub and does not host any image or video that is on the site. Wenge 10 on: November 01, SLK97 Papy Kakol often gets a pass as a drummer because playing sebene usually request snare-bass-snare-snare-bass passage at an even tempo to get the job done. Quote from: Wenge on November 01, SLK97 8 on: November 01, Jdog 9 on: November 01, Or moto asala le monde eza yo Nzambe tata, Kita okata po mokili trop matata, kata- Fally Ipupa. Werrason often went for programmed drums for rhumbas because he is less confident with other sections of the drums unlike Titina Al Capone and to a degree Seguin. To be fair, Kakol is predominately a sebene drummer. Quote from: Matebu on November 01, Wenge 6 on: November 01, Those albums have the best mix that really show Kakol's dynamic as a drummer. But until this day i've never heard music-critics or fans complaining about the sound of the A La Que Leu Leu except the huge amount of mabanga which did talk JB during an interview with Francis Kakondeonly hear on Congovibes lol. Yeah time has not been too kind to the sound of this album I think that Al Nzimbi wanted to match the sound of the programmed drums with the sound of the drums.īecause in all Congolese albums all there is always a big difference between the two and sometimes even messing the energy of the song up. Although it could be his French colleague as well, since a video from the album sessions shows him by his side. SLK97 2 on: November 01, Wenge I believe it was Al Nzimbi, since he was in charge of arrangements and programmings on this album. It seemed like he was rushed, because the guitars and drums aren't mixed properly. Wenge 1 on: November 01, Who was the main audio engineer on this album? Matebu on: November 01, King of the snares I know he was sweating like crazy in the studio.